Name: Alice, Texas
Address: Alice, TX

Alice, TX RoadyGoat

Alice wasn't always Alice, you know. Before it was named for Alice Gertrudis King back in '88, it was a railroad stop in the middle of mesquite country. That slight rise in elevation, 177 feet above the plains, probably didn't seem like much to the first settlers, but it was enough to make it a place to gather. For a long time, life was ranching and farming, typical South Texas. Then came 1941, and everything changed. The oil boom hit, and Alice exploded. Suddenly there were jobs, families moving in, and the town grew up fast. It left a mark that's still here today, you can feel it in the air. Even though the boom and bust cycles have come and gone, oil and gas are still the backbone of the local economy. There's a deep connection to Tejano culture here, too. And if you listen closely around the old hospital, some say you can still hear the whisper of a ghostly nun, a reminder of the town's long and colorful past. Alice is a hardworking place, and those Alice High School Coyotes know how to play some football. It's a town with deep roots, and a whole lot of pride.

Alice, TX RoadyGoat

Alice, Texas, is a town built on black gold. For generations, life here has revolved around the oil and gas industry. Before 1941, Alice was a quiet ranching community, named for Alice Gertrudis King, but everything changed when oil was discovered nearby. Suddenly, there was a boom. People flocked here seeking work, and the town grew quickly. The slightly higher elevation than the surrounding plains, once just a geographic detail, became an advantage as Alice transformed into a regional hub for the oilfields. Even today, you can feel the legacy of that era in every corner of Alice. The hardworking spirit of the people, the ever-present mesquite trees dotting the landscape, and the Friday night lights shining down on the Alice High School Coyotes football field, all speak to the enduring impact of the oil boom. It’s a town that remembers its roots while still pumping lifeblood into the Texas economy.

Alice, TX RoadyGoat

Alice feels like a place built on hard work and heritage. You see it in the faces around town, a mix reflecting the waves of people who came to make a life here. The King Ranch played a huge role, of course, and with it came vaqueros and families from Mexico who brought their skills and traditions to South Texas. While English is the language you'll hear on the street now, Spanish echoes in family homes and in the names of some of the older neighborhoods. Tejano culture is woven into the fabric of Alice. It’s in the food – the best carne guisada you’ll ever taste, served with homemade tortillas. It's in the music drifting from open windows on summer evenings. Even today, you can feel the spirit of those early settlers – the grit, the resilience, and the deep connection to the land – especially when the Alice High School Coyotes take the field, ready to defend their home turf.

Ideal Records

1946

Ideal Records, one of the most influential regional recording companies for Mexican-American music during the post–World War II era, was founded in 1946 by Armando Marroquín (with partner and distributor Paco Betancourt ) in Alice, Texas. Marroquín started recording local artists during the 1940s. Major record labels had begun reducing their involvement in the ethnic music markets, in part because of wartime shortages of shellac and other materials needed for making records. Frustrated with the major labels' abandonment of the local music markets, Marroquín paid $200 for an acetate-disk recording machine and set up a makeshift studio in his home. The first recordings he made were of Carmen y Laura (the former being his wife) and Narciso Martínez . Paco Betancourt, who owned the Rio Grande Music Company in San Benito, helped distribute the records. Marroquín also found distributors in the Los Angeles area. With very little competition from other labels, Marroquín's records sold very well, and the Ideal studio soon became a magnet for aspiring local musicians who previously had virtually no access to major recording facilities. Over the next few decades, Ideal Records helped resurrect or launch the careers of several important performers. Among the most successful of the Ideal artists, besides Martínez, were Tony de la Rosa , Valerio Longoria , and El Conjunto Bernal , led by Eloy and Paulino Bernal. Perhaps the most influential musician to record for Ideal was Alberto "Beto" Villa , widely recognized as the "father" of orquesta Tejana , a unique blend of traditional Mexican folk music with 1940s big-band swing. Hoping to push popular Mexican-American music in a new direction, Villa persuaded Marroquín to let him add more sophisticated instrumentation and musical arrangements to what had been a traditional conjunto band. Consequently, Villa was able to build a larger orchestra that combined Mexican-American folk-music traditions with the big-band sound that dominated the popular music scene during and after World War II . Despite Marroquín's initial apprehension, Villa's new sound quickly caught on and led to a booming orquesta Tejana movement that influenced Mexican-American music for generations to come. Ideal Records played a major role in shaping Tejano music in other ways as well. Martínez helped make the accordion a standard backup instrument for a variety of prominent vocal duets. Longoria was the first to make vocals a prominent feature of conjunto by integrating polka instrumentals with ranchera lyrics. Longoria also led the way in incorporating into conjunto modern drums and such popular dance steps as the bolero. Despite complaints from some that Marroquín exploited his artists by underpaying them, Ideal remained the largest and most influential regional Mexican-American music label in the Southwest until Marroquín founded a new company, Nopal Records, in 1960. His former partner, Paco Betancourt, continued to distribute Ideal recordings through his Rio Grande Music Company and opened a new studio with a family member, John Phillips, Sr. Reportedly, a young local musician, Baldemar Huerta (later known as Freddy Fender ), helped out with engineering duties and also recorded there. In 1990 music historian and Arhoolie Records owner Chris Strachwitz purchased all the Ideal masters which had been stored in San Benito at the Rio Grande Music Company. Thus many pioneer Tejano and conjunto recordings have been preserved and subsequently reissued for discovery by new audiences.

Tsha Handbook →

La Villita Dance Hall

1952

La Villita Dance Hall, which became known as the “Grand Ole Opry” of Tejano and conjunto music , was located on the edge of the city of Alice, Texas, and was originally nothing more than a big outdoor patio. However, it was soon transformed into a dance hall, designed by an architect from Monterrey, Mexico. La Villita was a large hall, at 15,000 square feet, and could hold 650 people seated and another 350 standing. The venue was established by Armando Marroquín and his wife Carmen . Armando also founded the pioneering Tejano company Ideal Records , whose earliest releases were made on a small recording machine at their kitchen table. Carmen and her sister Laura Hernández Cantú became well-known Tejana singers —the duet of Carmen y Laura. In the 1940s and 1950s Armando Marroquín recorded and made artists like Narciso Martínez (known as the “father” of conjunto music) and Beto Villa (the “father of orquestas Tejanas ) well known due to the distribution of their recordings. Armando and Carmen discovered the need for a large dance hall to showcase Tejano performers as an alternative to school gymnasiums. La Villita opened in 1952 with an admission cost of $1.20 for men and 65 cents for women. The opening featured orquesta leader Beto Villa. In the following years, all the major vocalists, conjuntos, and orquestas of early Tejano music performed at La Villita, which became the first major center for Tejano music and one of the earliest large dance halls in the Coastal Bend. Names of artists and their groups who played there included Narciso Martínez, Isidro López , Balde Gonzáles , Tony de la Rosa , Paulino Bernal, Juan Colorado , La Mafia, Emilio Navaira , Roberto Pulido, Ruben Naranjo , Eligio Escobar , and many others. Mexican stars such as Antonio Aguilar and Vicente Fernández performed there as well. La Villita was the site of weddings, quinceañeras, birthdays, and anniversaries for thousands of residents in the Alice area. Carmen selected pink to be the color of everything in La Villita, from the exterior to the cashbox. Alice resident and longtime patron Juan Manrique recalled memories of his time there in the late 1960s. “In the old days, the girls would stand along the wall on one side and the guys on the other side. We would make signs with our hands like ‘You and me? Take a twirl?’” Armando Marroquín died in 1990, and his wife Carmen continued to operate the dance hall by herself and earned the reputation as one of the most talented and hard-working women in the Tejano industry. Due to age and failing health, however, she eventually decided to close the historic venue. The hall was packed on the night of June 26, 2004, to hear the last two groups at La Villita perform—legendary Los Dos Gilbertos and a young group, Ricky Naranjo y Los Gamblers. After its official closing, the hall continued to host the annual induction ceremony and dance of the Tejano R.O.O.T.S. Hall of Fame for several years. Carmen Marroquín passed away in 2010. Efforts to reopen the hall as a Christian music venue in 2013 failed, and as of 2018 La Villita was still closed and for sale.

Tsha Handbook →

Archelaus Bynum Dodson

1835

(December 31, 1807-March 10, 1898) Texas patriot famed as man who introduced the Lone Star flag during the Texas Revolution. Born in North Carolina, Dodson came to Texas with his parents in 1827. He served as a delegate to the 1832 Convention seeking governmental reforms. On May 17, 1835, he married Sarah Rudolph Bradley. Later in the year 1835, Dodson was first lieutenant in Texas defense unit under Capt. Andrew Robinson. To Robinson's company his bride presented her handiwork-- a red, white and blue flag of Texas. This banner flew at Washington-on the-Brazos when Declaration of Independence was signed March 2, 1836. Dodson continued to fight in the Texas Revolution until after victory at San Jacinto. He located his headright of land in Grimes County, moving family there in 1844. Mrs. Sarah Bradley Dodson, flag maker and mother of six children, died in 1848. Her grave is in Bethel Cemetery, near Bedias, Grimes County. Dodson in 1850 married Louisa McWhorter, a widow. In 1860 he moved his family west to another Texas frontier, on the Nueces River. In this vicinity he lived to a respected old age. At death he was buried in Collins Cemetery, a half-mile south of here. (1969)

Historical Marker →

Alice

1880

In the 1880s, when the lines of the Corpus Christi, San Diego, & Rio Grande and the San Antonio & Aransas Pass railroads intersected, a new townsite was platted at the junction in what was then Nueces County. First called Bandana and then Kleberg, the town was finally named Alice (for Alice King Kleberg) when a post office was granted in 1888. Homes, business, schools, and churches were soon established. Texas Rangers serving in south Texas were headquartered in Alice. P. A. Presnall was elected the first mayor in 1904. Alice became the county seat of newly created Jim Wells County in 1911. (1988)

Historical Marker →

Jim Wells County

1911

Formed from Nueces County, created March 11, 1911, organized May 6, 1911. Named for Judge James B. Wells, an able lawyer. Born near Aransas Pass, Texas, July 12, 1854; died at Brownsville, December 21, 1923. Alice, the county seat.

Historical Marker →

Alice, Texas

Music in Alice

Songs About Alice

Artists From Alice

Rivers & Roads in Song near Alice

History of Alice

Alice, TX RoadyGoat

Alice, TX RoadyGoat

Alice, TX RoadyGoat

Ideal Records

La Villita Dance Hall

Archelaus Bynum Dodson

Alice

Jim Wells County

Things to Do in Alice

Everything Near Alice