Pecan Hill, TX RoadyGoat

Pecan Hill, cradled up here at 453 feet, always felt a little different. You can feel it in the way the breeze moves through the pecan trees that gave the place its name. Founded in the late 1800s, it was always a farming community, mostly cotton at first. FM 878, that's the road that ties it all together, bringing folks in and out. But life wasn't always easy. The Great Depression hit hard, especially for the cotton farmers. There was a real struggle then, a change in the air as folks had to adapt. But Pecan Hill held on. The land’s always been good for pecans, and that's what a lot of folks turned to. There's a quiet pride here, a connection to the soil. There's even a local story about a time capsule buried under the old oak tree, a secret history waiting to be unearthed. It’s a peaceful place now, but you can still feel the echoes of the past if you listen close.

13.4 mi away

Pecan Hill, TX RoadyGoat

Pecan Hill is a community in Texas.

13.4 mi away

Pecan Hill, TX RoadyGoat

Pecan Hill isn’t just another dot on the Texas map. It’s a place where the land itself whispers stories. You feel it as you drive in on FM 878 – a sense of peace settling over you, different from the flatter farmland all around. That’s because Pecan Hill actually sits a bit higher, around 450 feet, giving it a subtle prominence. Those gentle slopes, and the rich soil, made it perfect for pecan orchards, of course, and cotton fields, ever since the late 1800s. That's how it got its name, and how it sustained itself for generations. Agriculture still defines the place, though the Great Depression hit cotton farming hard, and things have changed. Some folks come to Pecan Hill now looking for that quiet rural life, a slower pace. Others are drawn by the legend of the time capsule buried under the old oak – everyone has their own theory about what’s inside. But if you ask a local why people really end up staying, they'll tell you it’s about the community, the shared history. It's a sense of connection to something real, something lasting, a feeling you just can't find in Dallas, even if the Cowboys *did* lose that Super Bowl.

13.4 mi away

Phillip R. Pierce

1836

Born September 18, 1813 in North Carolina. Soldier in the Texas War of Independence. Member Madisonville Cavalry, Texas Volunteers. Died in Ellis County December 2, 1891. Erected by the State of Texas 1962

Historical Marker →

Telico Church, The

1867

Built in 1867 for the Kirkpatrick Presbyterian Church, this sanctuary later served other denominations. It was a Baptist church from 1909 to 1961. Designed in the Greek Revival style with high Victorian Italianate details, it features shoulder architraves, paired brackets in the cornice, and six-over-six windows. The building was stabilized after a 1960 tornado tore it from its foundation. A 1986 restoration project returned the church to its historic appearance.

Historical Marker → · 4.7 mi away

Telico Cemetery

1867

The first burial in this cemetery was that of the Rev. William J. Kirkpatrick, a local Cumberland Presbyterian Minister, who died on May 1, 1867. Shortly after his death, a congregation organized by the Rev. W.G.L. Quaite was named in Kirkpatrick's honor, and a place of worship was constructed later near the gravesite. Land surrounding Kirkpatrick's grave was part of the plantation of Confederate veteran Major Henry Pannill. Pannill's son Joseph died in October 1867 and was buried near Kirkpatrick's gravesite. The following year Pannill deeded some of his land around the burial sites to trustees of the Kirkpatrick Cumberland Presbyterian Church. Within the next decade the community of Telico grew up around the church building and cemetery. After the turn of the century, however, people began abandoning the village for the conveniences of the railroad town of Ennis (6 mi. W), and the cemetery fell into a period of neglect. Telico Cemetery serves as a reminder of the hardships faced by area pioneers. Of the more than 300 known graves, 45 date before 1882 and almost half are of children under the age of ten. Since 1937 the Telico Cemetery Association has cared for the grounds.

Historical Marker → · 4.7 mi away

Lummus, Andrew Jackson, Jr. [Jack]

1945

Medal of Honor recipient, Andrew Jackson Lummus, Jr., referred to as Jack, was born on October 22, 1915, in Ennis, Texas, a cotton-farming town. He was the son of Andrew Jackson Lummus, Sr., a cotton farmer, and Laura Francis (Warren) Lummus. The Lummus family experienced hardship during the Great Depression . As a youngster, Jack Lummus enjoyed athletic success in both football and baseball at Ennis High School in the early 1930s. Lummus dropped out of high school after his second year due to the family's financial situation. Texas Military College at Terrell offered Lummus an athletic scholarship where he was able to finish his final two years of high school in 1937. In 1937 Lummus accepted an athletic scholarship to Baylor University where he played football and baseball for the next four years. In football, Lummus (standing at 6' 3" and weighing 195 pounds) played end, and his play and speed attracted the attention of the New York Giants of the National Football League. As a senior, he was selected to the All-Southwest Conference football team. Playing centerfield in baseball, Lummus earned spots on the All-Southwest Conference team in 1938, 1939, and 1940. Jack Lummus's career took a number of turns in 1941. With the nation moving closer to war, he mulled his military options as well as his options as a professional athlete. In May Lummus enlisted in the United States Army Air Corps to attend flight school and dropped out of Baylor before earning his degree. While waiting on orders for flight school, Lummus signed a contract to play outfield with the Wichita Falls Spudders, a semiprofessional baseball club in the West Texas-New Mexico League . He played in twenty-six games for the Spudders until July 6 when he received orders to report to flight training at Hicks Field northwest of Fort Worth. During flight training, he received numerous phone calls from the New York Giants inviting him to their training camp in Wisconsin. After successfully completing the preflight training, Lummus washed out of flight training on his solo flight when the wing of his P-19 Fairchild clipped a fence on landing. Given an honorable discharge, Lummus headed to Wisconsin where he won a spot on the New York Giants 1941 roster as a backup end. As a rookie, he saw considerable playing time as a defensive end. Lummus first became aware of the Japanese attack on Pearl Harbor during a game between the Giants and the Brooklyn Dodgers at the Polo Grounds on December 7, 1941. The Texan played his final game with the New York Giants in the NFL championship game against the Chicago Bears at Wrigley Field on December 21; which the Bears won, 37-9. A few days later, Lummus drove home to Texas. On January 30, 1942, Lummus went to Dallas and enlisted in the Marine Corps. After completing recruit training in San Diego, California, he was assigned to Mare Island, California, where he was promoted to private first class and then corporal. In October Lummus was selected for Officer Candidates School at Quantico, Virginia, from which he was commissioned a second lieutenant on December 30, 1942. In 1943 he served as an instructor in the Infantry School at Camp Elliot in San Diego. In June he was assigned as a student officer in the elite Raider Battalion at Camp Pendleton where he also served as an instructor. After the Raider Battalions were disbanded in early 1944, Lummus was reassigned to the Fifth Marine Division. In the Fifth Marine Division, Jack Lummus was among the first wave of marines that landed on Iwo Jima on February 19, 1945. As a rifle platoon leader, Lummus's actions on March 8 against stubborn Japanese defenders on the island's west coast, the Nishi Ridge, earned him the Medal of Honor. After a failed initial attempt to break through enemy lines, Lummus called for tank support to provide added firepower. After personally guiding the tanks into position in rugged terrain and ignoring hostile fire, he directed his men against the enemy. Moving forwa

Tsha Handbook → · 5.9 mi away

National Polka Festival

1966

The National Polka Festival, an annual music festival held each May in Ennis, Texas, was first organized in 1966 by Raymond Zapletal, Len Gehrig, and Joe Liska, in conjunction with Jack McKay, head of the local Chamber of Commerce. As the largest Czech polka festival in the United States, in the 2010s it attracts approximately 50,000 people who join together in dancing, singing, and celebrating Czech cultural heritage every Memorial Day weekend. The tradition of Czech polka music spread throughout the Lone Star State soon after the first large groups of Czech immigrants began arriving in the 1850s. Three other major waves of immigration during the 1870s, 1880s, and early 1900s helped give Czech culture a strong presence throughout the Southwest. Most Czechs settled in Central and North Central Texas, where they set up farms, schools, social and cultural organizations, and newspapers to help maintain their language and ethnic identity. For these new Texas Czechs, music played a vital role in their day-to-day lives. Dancing was an important part of this musical culture, providing entertainment, exercise, and recreational time with the family. At first dances were held in private homes, but as the Texas-Czech population grew, several organizations began building dance halls which regularly hosted dances and other celebrations of Czech culture. Ennis, which is about forty miles south of Dallas, is one of the most northern Czech settlements in Texas. The town has four large Czech fraternal halls, three of which participate in the festival—the Knights of Columbus , the Sokol Activity Center, and Katolicka Jednota Texaska (Catholic Union of Texas) known as the KJT—which provide centrally-located venues for all the festival’s music and dancing. Because it has maintained a thriving Czech culture, Ennis is ideally suited for hosting the National Polka Festival. The festival kicks off on Friday with a dancing competition, followed by a King and Queen contest that evening. The parade starts on Saturday morning at 10:00 A.M. and includes clowns, cheerleaders, bands, floats, and horses. The festival also offers traditional food, dancing, costumes, music, arts and crafts, and a horseshoe tournament. On Sunday, Mass is held at 10:00 A.M. at the Knights of Columbus, followed by more dancing, food, and music at all three halls. Typically the festival features anywhere from eight to fourteen bands performing different styles of polka music , ranging from traditional to modern. Participants have included Grammy-award-winning groups as well as bands from across the United States and as far away as the Czech Republic. A few of the more popular groups include Grammy-award-winning Brave Combo, Czech and Then Some, the Jodie Mikula Orchestra, Dujka Brothers, Texas Dutchmen, the Czechaholics, and the Ennis Czech Boys. The National Polka Festival focuses on involving the entire family in the weekend’s events, thereby encouraging all generations to better understand and appreciate Czech history and culture. The influence of Czech musical traditions can be seen throughout the Southwest, as traditional Czech instruments and song styles, including the accordion and the polka, have been incorporated into Texas-Mexican conjunto , East Texas zydeco , and even western swing.

Tsha Handbook → · 5.9 mi away

Coronado, Sam Zaragosa, Jr.

1946

The son of Sam Zaragosa and Margarita Coronado, Sam Z. Coronado, Jr., artist, educator, and cultural activist, was born on July 12, 1946, in the small farm town of Ennis, Texas. His maternal grandparents were cotton pickers who taught him the value of a strong work ethic. He attended Crozier Tech High School in Dallas and voluntarily enlisted in the United States Army; he served from 1964 to 1967. As part of the Cold War effort, he served in Germany with an artillery company that included a nuclear weapons arsenal. After his stint in the army he attended El Centro College in Dallas and studied drafting and design. He secured his first drawing job as a technical illustrator for Texas Instruments in 1969 and earned an Associate of Applied Science degree from El Centro in 1970. Coronado eventually went to the University of Texas at Austin and attended college on the G.I. Bill. Along with his colleagues Vicki Plata, Rey Gaytan, and Sylvia Orozco, he cofounded the Chicano Art Students Association. In 1975 he graduated from the University of Texas at Austin with a B.F.A. in painting and printmaking. Throughout his career, Coronado also worked in other occupations, either as a technical illustrator or as an educator, to financially support his artistic endeavors. Coronado is best known for his artistic contributions in the field of Chicana/o and U.S. Latino art. He began in oils and acrylics. His paintings are intimate portraits of the Mexican American experience. However, his most memorable and influential work was in the field of graphic arts. He was a painter turned printmaker following two residencies with Self Help Graphics in East Los Angeles in 1991. Drawing on Mexican Social Realism, American Pop Art, and the iconographic traditions of Chicano art, he produced groundbreaking series such as Guerrillera , World War II , and Hearts that spoke on the politics of identity, autobiography, and Tejano history. Coronado also illustrated for books and magazines, and he created company logos. His lifework has been the subject of numerous exhibitions and publications across the United States, Europe, Africa, and Latin America, including retrospectives at the Guadalupe Cultural Arts Center , San Antonio (1987); Mexic-Arte Museum , Austin (2011); and the Latino Cultural Center, Dallas (2012). He mastered the art of serigraphy (also known as screen printing and silkscreening) with draughtsmanship and humor, and became one of its most ardent promoters by founding Coronado Studio, a collaborative print workshop dedicated to the production of fine art serigraphy, in the early 1990s. The workshop became a training ground for a number of accomplished master printers including Pepe Coronado, Brian Johnson, Paul Fucik, and Brian Rice. However, his greatest intervention for the field came in 1993 with the founding of Serie Project, a nonprofit printmaking residency program that awards competitive fellowships to artists wishing to explore the technique with the assistance of a master printer. Serie Project has hosted more than 300 artist residencies and has introduced a new generation of artists to a graphic tradition of historical importance to the Chicano art movement (1965–1985). The roster of resident artists includes Malaquias Montoya, Ester Hernández, César Martínez, Celia Alvarez Muñoz, Juan Sánchez, Diógenes Ballester, and Scherezade Garcia. Coronado’s cultural activism fostered community-building and exhibition opportunities for underrepresented artists. As someone who experienced first-hand the discriminatory practices against Mexican American artists in the Southwest, he was committed to promoting cultural democracy in the arts. Coronado was part of a generation of artists who came of age during the 1960s and believed that establishing alternative and culturally-specific institutions was the first step toward equality. In 1980 he founded Arcoiris , a statewide network for Mexican American artists based in Houston that promoted exhibition

Tsha Handbook → · 5.9 mi away

Crisp, Texas

Music in Crisp

Songs About Crisp

Artists From Crisp

Rivers & Roads in Song near Crisp

History of Crisp

Pecan Hill, TX RoadyGoat

Pecan Hill, TX RoadyGoat

Pecan Hill, TX RoadyGoat

Phillip R. Pierce

Telico Church, The

Telico Cemetery

Lummus, Andrew Jackson, Jr. [Jack]

National Polka Festival

Coronado, Sam Zaragosa, Jr.

Things to Do in Crisp

Everything Near Crisp